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Cubism pioneered by Picasso as well as Braque revolutionized modern art by deconstructing forms into geometric patterns. Indian artists adapted Cubism with a unique lyrical & fluid approach merging global influences with traditional Indian aesthetics.
Cubism emerged in early 20th century Europe pioneered by Pablo Picasso & Georges Braque.
It challenged traditional perspectives by deconstructing subjects into geometric forms.
Paul Cézanne post impressionist works & African tribal masks influenced its development.
The movement evolved into Analytic Cubism (1907-1912) (monochromatic & fragmented) & Synthetic Cubism (1912-1914) (collage techniques & vibrant colors).
Arrived in India in 1910s gaining visibility with 1922 exhibition of Indian Society of Oriental Art in Calcutta.
The exhibition showcased Bauhaus School artists (Wassily Kandinsky, Paul Klee) & Indian artists like Gaganendranath Tagore & Nandalal Bose.
Art historian Stella Kramrisch & Rupam journal facilitated discussions on Indian Cubism.
Gaganendranath Tagore (1867-1938): First major Indian Cubist blending traditional aesthetics with modern abstraction.
Ramkinkar Baij (1906-1980): Applied Cubist forms to sculpture & paintings.
NS Bendre (1910-1992): Introduced Cubism in Baroda at MS University Faculty of Fine Arts.
FN Souza (1924-2002), MF Husain (1915-2011), Paritosh Sen (1918-2008): Blended Cubist abstraction with indigenous themes.
Indian Cubism retained lyrical, fluid & expressive quality rather than strict geometric abstraction.
Artists integrated traditional motifs, mythological themes & folk elements into Cubist compositions.
Gaganendranath approach focused on diagonal composition & whimsical magic contrasting with European vertical-horizontal arrangement.
Ram Kumar studied under French Cubist Andre Lhote in Paris.
Paritosh Sen met Picasso integrating two-dimensional Cubist structures in his work.
SK Bakre incorporated geometric abstraction & fragmented forms.
His early works experimented with Cubist space manipulation & bold, dynamic brushstrokes.
Though not strictly Cubist his fragmented compositions reflected Cubist influences.
Baroda School played key role in post independence spread of Cubist aesthetics.
Santiniketan School (Nandalal Bose, Ramkinkar Baij) introduced Cubist elements in Indian artistic traditions.
DAG Art Gallery Deconstructed Realms (2024) celebrated Cubism influence in India.
Indian modernists adapted Cubism into more personal & culturally rooted form.
Rabin Mondal explored totemic abstraction while Devayani Krishna fused fractured geometries with lyrical textures.
Indian Cubism blended modernity with indigenous traditions making it unique from Western Cubism.
Indian Cubist artists bridged Western avant garde movements with Indian classical & folk traditions.
The movement redefined Indian modern art while maintaining cultural identity.
Indian Cubism remains an important study in global modern art history.
Aspect |
Details |
Founders |
Pablo Picasso & Georges Braque in early 1900s |
Influences |
Paul Cézanne’s geometric simplification, African tribal masks, post-impressionism |
Key Features |
Fragmented subjects, multiple perspectives, rejection of linear perspective & depth |
First Exhibition |
1911, Salon des Indépendants in Paris |
Critical Recognition |
Term "Cubism" coined by French critic Louis Vauxcelles in 1908 |
Philosophy |
Art should represent objects in their essence, not as they appear in nature |
Considered predecessor of Cubism Cézanne’s paintings used geometrization of natural forms.
His works such as Mont Sainte-Victoire as well as Still Life with Apples demonstrate early Cubist techniques.
Phase |
Period |
Characteristics |
Notable Works |
Proto-Cubism |
1906-1909 |
Influenced by Cézanne, transition from realism |
Les Demoiselles d'Avignon (Picasso, 1907) |
Analytic Cubism |
1909-1912 |
Monochromatic color palette, fragmented & abstract forms, multiple perspectives |
Ma Jolie (Picasso), Violin & Candlestick (Braque) |
Synthetic Cubism |
1912-1914 |
Brighter colors, use of collage & mixed media, text integration |
Still Life with Chair Caning (Picasso), Fruit Dish & Glass (Braque) |
Crystal Cubism |
1915-1922 |
More refined, structured, symmetrical forms |
The Three Musicians (Picasso) |
Late Cubism |
1923-1930s |
Cubist principles applied in sculpture, architecture & later modern art |
Influence on Surrealism, Abstract Expressionism & Futurism |
Technique |
Description |
Examples |
Geometric Fragmentation |
Objects reduced to basic geometric shapes |
Les Demoiselles d’Avignon (Picasso) |
Multiple Perspectives |
Objects shown from various viewpoints simultaneously |
Violin & Candlestick (Braque) |
Collage (Papier Collé) |
Use of materials like newspaper & fabric in paintings |
Still Life with Chair Caning (Picasso) |
Muted Color Palette (Analytic Cubism) |
Use of browns, grays & neutral tones to emphasize form over color |
The Portuguese (Braque) |
Bright, Bold Colors (Synthetic Cubism) |
Use of vibrant, contrasting colors in a more decorative approach |
Harlequin (Picasso) |
Artist |
Nationality |
Contribution |
Famous Works |
Pablo Picasso |
Spanish |
Co-founder of Cubism, innovator of fragmented forms |
Les Demoiselles d'Avignon, Guernica |
Georges Braque |
French |
Developed Analytic & Synthetic Cubism, introduced collage |
Houses at L’Estaque, Violin & Candlestick |
Juan Gris |
Spanish |
Refined Cubist techniques, more colorful & structured works |
Portrait of Picasso, The Open Window |
Fernand Léger |
French |
Introduced Tubism (cubist figures resembling tubes), inspired Futurism |
The City, The Mechanic |
Jean Metzinger & Albert Gleizes |
French |
Theorists of Cubism, co-authored "Du Cubisme" (1912) |
Tea Time (Metzinger), Man on a Balcony (Gleizes) |
Field |
Impact of Cubism |
Examples |
Sculpture |
Cubist deconstruction applied to three-dimensional art |
Works by Alexander Archipenko, Jacques Lipchitz |
Architecture |
Geometric & fragmented design principles |
Le Corbusier’s buildings, Cubist houses in Prague |
Literature |
Inspired fragmented narrative techniques |
James Joyce's Ulysses, Gertrude Stein’s poetry |
Music |
Influenced abstract, fragmented compositions |
Stravinsky’s The Rite of Spring |
Fashion |
Designers incorporated geometric patterns & deconstructed silhouettes |
Pablo Picasso’s costume designs for Ballets Russes |
By 1920s Cubism lost prominence as Surrealism & Abstract Expressionism gained traction.
Artists like Picasso moved into Neoclassicism & Surrealism.
World War I (1914-1918) disrupted artistic developments in Europe.
Inspired movements like Futurism, Constructivism, De Stijl & Abstract Expressionism.
Transformed modern art by paving way for non representational & conceptual art.
Influence in contemporary digital art, graphic design & architecture continues.
Feature |
Cubism |
Futurism |
Surrealism |
Abstract Expressionism |
Origin |
France, 1907 |
Italy, 1909 |
France, 1920s |
USA, 1940s |
Key Artists |
Picasso, Braque |
Marinetti, Boccioni |
Dalí, Magritte |
Pollock, Rothko |
Core Idea |
Geometric abstraction, multiple perspectives |
Motion, speed, technology |
Dream-like imagery, subconscious |
Emotional intensity, spontaneous expression |
Technique |
Fragmentation, monochrome palette, collage |
Dynamic lines, repetition |
Dream symbolism, automatism |
Drip painting, color fields |
Influence |
Architecture, literature, film |
Industrial design, sculpture |
Literature, film, psychology |
Contemporary art |
Gaganendranath Tagore: First Indian Cubist blended Bengali artistic traditions with Cubism.
Ramkinkar Baij: Applied Cubism in sculpture & murals.
NS Bendre: Popularized Cubism at Baroda Faculty of Fine Arts.
MF Husain, FN Souza, Paritosh Sen: Incorporated Cubist abstraction in modern Indian art.
Distinct Indian Identity: Unlike Western rigid geometry Indian Cubism was fluid & lyrical drawing from ancient aesthetics.
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PRACTICE QUESTION Q. Cubism revolutionized artistic representation of reality through fragmentation as well as multiple perspectives. Discuss its key features, evolution & impact on modern art including its adaptation in Indian art. |
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