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A group of 300 Pakistani citizens of Indian origin residing in Sindh visited revered Dwarkadhish Temple in Gujarat Devbhumi Dwarka reflecting strong cross border cultural & religious ties.
Feature |
Description |
Location |
Dwarka city, Devbhumi Dwarka district, Gujarat, India |
Primary Deity |
Lord Krishna (Dwarkadhish – "King of Dwarka") |
Religion |
Hinduism |
Significance |
One of Char Dham pilgrimage sites; one of Sapta Puri (seven most ancient & holy Hindu cities); sacred to Vaishnavites |
Architectural Style |
Māru-Gurjara (Solanki style); influenced by Nagar architecture |
Material Used |
Limestone & sandstone |
Structure |
Five-storied temple, supported by 72 intricately carved pillars |
Height |
Approximately 78.3 meters (256 ft) |
Steeple Flag (Dhwaja) |
Changed multiple times daily; triangular & adorned with symbols of sun & moon, signifying that temple will last as long as these celestial bodies exist |
Sanctum (Garbha Griha) |
Houses black stone idol of Lord Krishna (Dwarkadhish) in a standing posture with four arms |
Sub-shrines |
Temples of Balarama, Rukmini, Subhadra, Revati, Vasudeva & others |
Moksha Dwar |
Door to Salvation main entrance; leads pilgrims to main temple |
Swarga Dwar |
Gate to Heaven steps leading down to Gomti River for ritual bathing |
Managed by |
Dwarka Peeth & Archaeological Survey of India (ASI) |
Festivals Celebrated |
Janmashtami, Holi, Diwali, Annakut, Rukmini Vivah, Rath Yatra |
Legends Associated |
Believed to be built by Vajranabha (Krishna great grandson) over Krishna original residential palace; submerged Dwarka is said to lie underneath sea |
Heritage Status |
ASI protected site; pilgrimage destination under Char Dham Yatra |
Feature |
Description |
Location |
Western tip of Gujarat, along Arabian Sea; Devbhumi Dwarka district |
Ancient Name |
Anarta, Kushasthali & later Dwarka |
Etymology |
Dwarka comes from Sanskrit Dwar (door/gate) & Ka (Brahma or Moksha) Gateway to Heaven |
Mythological Importance |
Capital of Krishna kingdom after he left Mathura; one of seven sacred cities (Sapta Puri) |
Historical Significance |
Referred in Mahabharata; Mentioned in Skanda Purana, Vishnu Purana, Harivamsa |
Submerged City |
Marine archaeology has found submerged structures off coast (believed to be remnants of ancient Dwarka) |
Religious Importance |
Part of Char Dham (with Badrinath, Puri, Rameswaram); Site of 12 Jyotirlingas nearby (Nageshwar) |
Pilgrimage Circuit |
Part of Panch Dwarka Yatra (Dwarka, Bet Dwarka, Rukmini Mandir, Sudama Setu & Nageshwar) |
Modern Governance |
Devbhumi Dwarka was carved out as a separate district in 2013 |
Major Attractions |
Rukmini Devi Temple, Bet Dwarka Island, Nageshwar Jyotirlinga, Sudama Setu, Gomti Ghat, Dwarka Lighthouse |
Cultural Festivals |
Dwarka Festival, Janmashtami Mela, Kartik Purnima fair |
Transport Connectivity |
Accessible by road, rail (Dwarka Station) & nearest airport at Jamnagar (~130 km) |
Temple / Temple Group |
Location |
UNESCO Listing Year |
Recognized As |
Key Features & Significance |
Sun Temple, Konark |
Odisha |
1984 |
Individual Monument |
13th-century temple built by King Narasimhadeva I; famous for chariot shaped structure; intricate stone carvings symbolizing time & divinity. |
Group of Monuments at Mahabalipuram |
Tamil Nadu |
1984 |
Group of Monuments |
7th–8th century monuments built by Pallava kings; includes rock-cut temples, cave sanctuaries & shore temples. |
Group of Monuments at Hampi |
Karnataka |
1986 |
Group of Monuments |
Ruins of Vijayanagara Empire (14th–16th centuries); includes Virupaksha Temple, Vittala Temple with iconic stone chariot. |
Group of Monuments at Pattadakal |
Karnataka |
1987 |
Group of Monuments |
Chalukyan architecture blending Nagara & Dravida styles; major temples include Virupaksha, Mallikarjuna & Papanatha. |
Brihadeeswarar Temple (part of Great Living Chola Temples) |
Tamil Nadu |
1987 |
Great Living Chola Temples (with Gangaikonda Cholapuram & Darasuram) |
Built by Raja Raja Chola I; known for massive vimana tower, grand scale & sculpture. |
Airavatesvara Temple (Great Living Chola Temples) |
Tamil Nadu |
2004 (added later) |
Great Living Chola Temples |
Noted for architectural detail, including exquisite stone carvings & chariot motifs. |
Temple at Gangaikonda Cholapuram (Great Living Chola Temples) |
Tamil Nadu |
2004 (added later) |
Great Living Chola Temples |
Built by Rajendra Chola I; resembles Brihadeeswarar in style & scale. |
Khajuraho Group of Monuments |
Madhya Pradesh |
1986 |
Group of Monuments |
Built by Chandela dynasty (950 to 1050 CE); famous for Nagara style architecture & erotic sculptures. |
Ellora Caves (includes Kailasa Temple) |
Maharashtra |
1983 |
Ellora Caves (Group of Monuments) |
Rock cut temples representing Buddhism, Hinduism & Jainism; Kailasa Temple (Cave 16) is a monolithic marvel. |
Elephanta Caves (includes Shiva Temple) |
Maharashtra |
1987 |
Elephanta Caves |
Island cave temples dedicated primarily to Shiva; includes iconic Trimurti sculpture. |
Rock Shelters of Bhimbetka (some cave temples) |
Madhya Pradesh |
2003 |
Rock Art Sites |
While primarily prehistoric art, contains some early religious/cult spaces with temple like features. |
Temple Style |
Region of Prevalence |
Key Features |
Shikhara (Tower) Type |
Base (Plan Shape) |
Notable Examples |
Patron Dynasties |
Nagara (North Indian Style) |
North India (Madhya Pradesh, Rajasthan, Odisha, etc.) |
Curvilinear tower (shikhara), square sanctum, garbhagriha + mandapa layout, minimal boundary walls |
Curvilinear (Rekha-prasada) |
Square / stellate |
Khajuraho temples, Sun Temple, Konark, Kandariya Mahadeva Temple |
Guptas, Chandelas, Eastern Ganga |
Dravida (South Indian Style) |
Southern India (Tamil Nadu, Karnataka, Andhra Pradesh) |
Pyramid shaped vimana, monumental gopurams (gateway towers), enclosed compound walls |
Pyramidal (Storeyed Vimana) |
Square or rectangular |
Brihadeeswara Temple, Meenakshi Temple, Shore Temple |
Cholas, Pallavas, Pandyas, Vijayanagara |
Vesara (Hybrid Style) |
Deccan region (Karnataka, parts of Maharashtra) |
Blend of Nagara & Dravida features, star shaped platforms, ornate decoration |
Mixed (Curvilinear + Pyramidical) |
Star-shaped / circular |
Hoysaleswara Temple, Chennakesava Temple |
Chalukyas, Hoysalas |
Kalinga (Odisha Sub-style of Nagara) |
Odisha (Eastern India) |
Division into Rekha Deula (sanctum), Pidha Deula (assembly) & Khakhara Deula (female deities) |
Curvilinear (Rekha Deula) |
Rectangular sanctum with jagamohana |
Lingaraja Temple, Rajarani Temple, Mukteshwar Temple |
Somavamshis, Eastern Gangas |
Solanki/Maru-Gurjara |
Gujarat & Rajasthan |
Highly ornate carvings, toranas (archways), step-wells, intricate ceilings |
Truncated or Sheared Shikhara |
Square / stellate |
Modhera Sun Temple, Rani ki Vav |
Solanki Dynasty |
Nayaka Style |
Tamil Nadu (Late Dravida) |
Tall gopurams, mandapas with intricate carvings, 1000-pillared halls |
Pyramidal (Elaborate Gopurams) |
Rectangular or star like |
Ranganathaswamy Temple, Thiruvannamalai Temple |
Nayakas, Vijayanagara Empire |
Panchayatana Style |
Pan Indian (Gupta Period onward) |
Main shrine surrounded by 4 subsidiary shrines on 4 corners |
Varies |
Cross plan (quincunx) |
Dashavatara Temple (Deogarh) |
Guptas |
Hemadpanti Style |
Maharashtra (Medieval Deccan) |
Use of black stone without mortar, minimalistic ornamentation, stepped design |
Step like spires |
Rectangular or square |
Aundha Nagnath, Bhuleshwar Temple |
Yadavas of Devagiri |
For more such articles, please refer to IAS GYAN
Sources:
PRACTICE QUESTION Q. Discuss cultural & architectural significance of Indian temples inscribed as UNESCO World Heritage Sites. How do these monuments reflect religious & political patronage of their time? |
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